Sabrina Carpenter is a singer, songwriter, and actress who first became known for her role on the Disney Channel. While she started out in acting, music has become the main way she connects with audiences. By looking at her streaming numbers and chart performance, it’s clear that her popularity has grown steadily, especially in the last few years. This analysis uses data from 2019 to 2024 to show how her career has developed and what that might mean for her future in the music industry.
The goal of this page is to compare Sabrina Carpenter's Spotify streams with her YouTube views. This will show us how her music performs across platforms and which tracks resonate most strongly with listeners.
| Song Title | Streams | Daily |
|---|---|---|
| Espresso | 2,522,310,158 | 1,715,259 |
| Please Please Please | 1,593,348,282 | 995,580 |
| Nonsense | 1,399,982,347 | 693,351 |
| Taste | 1,214,196,565 | 1,051,346 |
| Feather | 982,263,383 | 524,126 |
| On My Way | 822,333,554 | 263,957 |
| Bed Chem | 680,539,243 | 668,041 |
| Juno | 507,678,560 | 700,959 |
| because i liked a boy | 432,071,097 | 353,419 |
| Looking at Me | 410,664,329 | 226,487 |
On Spotify, Espresso is the undisputed leader, with over 2.5 billion cumulative streams and more than 1.7 million daily plays. This daily volume far exceeds that of her other tracks, indicating a rare level of cultural penetration and ongoing listener engagement. Notably, Taste, released later, demonstrates comparable momentum with more than 1 million daily streams, suggesting strong potential to join Espresso as a defining anthem in Carpenter’s discography. Older hits such as Nonsense (1.4B streams) and because i liked a boy (432M streams) continue to post substantial daily figures, indicating that her catalog is not solely reliant on the most recent releases.
Long-tail engagement is also evident in Carpenter’s earliest singles. Eyes Wide Open (2015) and Can’t Blame a Girl for Trying (2014) continue to attract thousands of streams daily. This persistence points to a durable fan base and illustrates Carpenter’s ability to maintain audience interest across different stages of her career. In an industry often defined by short-lived attention cycles, this consistency positions her as an exception among her generational peers.
| Video | Views | Yesterday | Published |
|---|---|---|---|
| Alan Walker, Sabrina Carpenter & Farruko - On My Way | 639,812,060 | 277,819 | 2019/03 |
| Sabrina Carpenter - Espresso | 466,272,892 | 1,061,527 | 2024/04 |
| Sabrina Carpenter - Thumbs (Official Video) | 271,033,482 | 70,722 | 2017/02 |
| Sabrina Carpenter - Please Please Please | 251,226,033 | 428,981 | 2024/06 |
| Sabrina Carpenter - Taste (Official Video) | 207,440,511 | 478,049 | 2024/08 |
| Sabrina Carpenter - Nonsense (Official Video) | 143,342,180 | 188,874 | 2022/11 |
| Sabrina Carpenter - Feather (Official Video) | 142,705,117 | 207,851 | 2023/10 |
| Sabrina Carpenter - Espresso (Official Audio) | 87,332,351 | 248,913 | 2024/04 |
| Sabrina Carpenter - Eyes Wide Open (Official Video) | 81,709,856 | 10,950 | 2015/06 |
| Sabrina Carpenter - Can't Blame a Girl for Trying (Official Video) | 76,782,934 | 8,568 | 2014/03 |
On YouTube, Carpenter’s trajectory mirrors her audio streaming trends. Espresso again leads in velocity, exceeding one million daily views, rivaling her long-standing global collaboration On My Way (2019). Meanwhile, recent singles such as Please Please Please and Taste are scaling rapidly, while legacy tracks like Thumbs (2017) remain fixtures in her visual portfolio with steady daily traffic. This cross-platform parallel indicates that her success is not isolated to one medium; rather, it reflects a cohesive, multi-channel growth pattern.
The combined evidence demonstrates that Carpenter’s career is characterized by both explosive short-term growth and long-term catalog stability. Espresso and Taste exemplify her capacity to generate high-velocity global hits, while the persistent relevance of earlier tracks signals depth in her repertoire. The alignment between Spotify and YouTube metrics highlights the effectiveness of her integrated presence across platforms, amplifying both reach and retention. Collectively, these patterns suggest that Carpenter’s trajectory is not merely a product of viral momentum but indicative of sustained pop stardom with enduring global resonance.
Looking at Sabrina Carpenter’s career so far, there’s a clear turning point around 2021–2022. Before this, her music reached a fairly steady audience, but the rise in her streams and global recognition after emails i can’t send shows how she shifted from being known mainly for acting to being recognized first and foremost as a musician. In 2023 and 2024, her streaming numbers almost doubled, which suggests that her fan base isn’t just growing — it’s becoming more consistent.
The Billboard Hot 100 data also reinforces this growth. “Espresso” and “Please Please Please” didn’t just chart, they debuted high and stayed on the charts for weeks. That kind of staying power shows that Sabrina is no longer just breaking into the mainstream; she’s competing at the top level.
Taken together, the data suggests that her career is moving from a rising-artist stage into one where she’s establishing herself as a major figure in pop music. If her upcoming releases follow the same trend, it’s likely her popularity will continue to build globally.